Showing posts with label Shindig. Show all posts
Showing posts with label Shindig. Show all posts

Monday, 8 May 2023

Interview with Shana Cleveland

 

(This feature first appeared in issue #137 of Shindig! magazine. For the full unpublished interview click over the jump below.)

 

The creation of Shana Cleveland's new album was bookended by life-changing experiences. “It's been a wild ride” she tells Duncan Fletcher

“I was into old blues pickers like Geeshie Wiley, Skip James and Lightnin' Hopkins. I’ve always been a big Fahey fan. There’s a guy who played open mics in Seattle when I lived there named Rick Sabo. I never knew when he would show up, but I would go to places I thought he might and wait. Then when he did stumble in, always in an old trench coat and a bit drunk, and he began playing it felt like I had won the night.” So says Shana Cleveland when asked about early influences. Traces of all these players can be heard on Shana's new album Manzanita, but its dominant shaping forces are her life experiences.

“I wrote all the songs on this album while I was pregnant and in the early months of my son’s life. It was such a psychedelic time! My head was in such a weird place, all flooded with hormones and wonder at the mystery of life. I liked where the songs were going so, I figured it would be cool to see what a whole album written in that surreal state would sound like.” With her husband Will and several musician friends from Seattle, Shana recorded Manzanita in less than a week. The unrehearsed, intuitive arrangements blend with Shana's open-tuned guitar to give the songs an otherworldly watercolour-like quality. It reveals a different side to Shana, who readers may know as vocalist/guitarist in surf band La Luz.

Shortly after completing the album Shana received shock news. “It’s been a wild ride. Around this time last year, I was diagnosed with breast cancer and for a few months following that shocker I really couldn’t create much of anything” she says. Thankfully her treatment proved successful. “This album was done before I got the diagnosis, but I’ve written two albums since then. The intensity and horror of that time led to a lot of contemplation which, in turn, led to a lot of songs.”

While we wait to hear those songs, Manzanita yields an abundance of riches, all imbued with early parenthood's peculiar sense of wonder, and an appreciation of the natural world, inspired in part by Shana and Will moving to rural California. “I write outside most of the time” she says. “I like being immersed in all the little noises - insects, birds, cars, wind, chainsaws ... I feel like I’m able to tap into my subconscious mind without the judgment I might fall into if I was alone with my thoughts in a quiet room. It feels like a collaboration in a way.”

Manzanita is out on March 10 on Hardly Art

Thursday, 12 October 2017

Interview with Green Seagull


(This feature first appeared in issue #64 of Shindig! magazine. I think the band have since changed drummers since this ran. I love this band and can't wait for the LP! To read the full interview click over the jump at the bottom.)

 
London's latest baroque-beat band mix peppermint and incense on their first recordings. Duncan Fletcher sees them take flight.

Taking their name from a misheard lyric in The Stones' 'Paint It Black', Green Seagull formed in early 2016 around the songwriting talents of Paul Nelson and Paul Milne, formerly of New Electric Ride and The Magnetic Mind respectively. The chemistry was completed with the addition of keyboardist Sarah Gonputh and drummer Carlos Redondo.

“For me, psychedelia is a very open-ended style that gives you a lot of possibilities. You can take elements from virtually any genre - garage punk, acid rock to flamenco and classical - and it wouldn't necessarily jar if you did it right” says bassist/vocalist Milne. Do it right they do, as heard on their rehearsal room recordings on four-track cassette. Influenced by The Left Banke, The Association and The Beach Boys, the two songs on their Soundcloud page feature pop melodies spiked with sinister chords and arrangements, successfully pairing light and shade.

“The lyrics in 'Scarlet' are pretty much about infatuation and obsession and hint at a possible illness of the mind for the protagonist” says guitarist/vocalist Nelson. “'They Just Don’t Know' is based on a nightmare I had where I was some kind of world leader in a Cuban Missile Crisis-type scenario. I think I was watching too many cold war documentaries at the time! Hope it wasn't a premonition of some sort!” adds Milne.

The band are currently re-recording the tracks along with a prospective LP at London's Sausage Studio, making full use of its vintage gear. “We're fortunate that Sausage Studio is run by my boyfriend, Seb Kellig (My Drug Hell) with our friend Nick McCarthy (Franz Ferdinand/FFS)”, says Sarah. “The place is an absolute dream and I feel so lucky to be part of the Sausage Studio family. It's vintage keys and analogue synthesiser heaven... for our forthcoming single I've been playing the Philicorda organ and the Wurlitzer.”

'Scarlet' b/w 'They Just Don't Know' was released in May 2017 on Mega Dodo Records.

(Click over the jump for the full interview.)