Showing posts with label Wichita. Show all posts
Showing posts with label Wichita. Show all posts
Monday, 13 August 2018
Snowchild - Age Of Change
(This review first appeared in issue #76 of Shindig! magazine.)
Kozmic Artifactz CD / LP
This Wichita-based power trio know certain boxes need ticking for successful doom/stoner/sludge rock – long songs, ominous riffs and sheer heaviness for starters. What happens beyond that determines whether you rise above the competition. Snowchild needn't worry - subtle tempo changes, intuitive ensemble playing and dynamics ensure that Age Of Change never gets boring. And despite the old-school rock leanings, the subject matter makes for an album as contemporary as they come.
Anyone upset because Black Sabbath have knocked it on the head can find solace and cause for celebration here as bassist/vocalist Larry Donaldson is a graduate from the Ozzy School of Vocal Phrasing. There are other influences – the intro of 'Born in Flames' owes as much to Isaac Hayes' Hot Buttered Soul as it does to Master Of Reality, and 'Boudica' expands their palette with sitar-like guitar, eastern scales and a space rock vibe. Dark, heavy and soulful.
Sunday, 23 December 2012
Meg Baird - Seasons On Earth
Second solo album
from founder member of Espers. A master-class of intimate and
timeless, acoustic folk.
Philadelphia based
songstress and founder member of psych-folkers Espers, Meg Baird
releases her 2nd solo album Seasons On Earth. As the title
suggests there's a back to nature feel to this collection of intimate
folk based songs, with song titles including Stream, The Land Turned
Over, Even Rain and Stars Climb Up The Vine. Unaffected by current
musical fashions, the closest reference points are the Brit-led folk
boom of the 1960's, Sandy Denny, Pentangle, and Island Records' 70's
folk output. That's not to say it's nostalgic or an exercise in faux
retro acid-folk, it's anything but; there's a authentic timelessness
to the record, perhaps due in part to the fact that her family has
deep roots in American folk music.
The acoustic guitar
playing is confident and intricate, with autumnal open tunings that
Nick Drake would be proud of. There's a feeling that any number of
the eight original compositions on here could become standards such
is the strength of the songwriting. Added to this are two interesting
choices of covers. The first being a sublime reading of Mark Almond
Band's Friends, the second being The House Of Love's Beatles And The
Stones. (I never did understand the line about putting the V in
Vietnam but it doesn't seem to matter here). Though overall the
record has a sparse sound there are added instrumental embellishments
of parsimonious electric guitar, harp and tasteful pedal steel. A
perfect listen as the autumn nights draw in.
Click here for Meg
Baird's website.
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