Marina CD / LP
There was a wave of song-crafters from the mid '60s, influenced by Brill Building classicism, who further pushed the possibilities of what a pop song could be. Burt Bacharach, Brian Wilson and Jimmy Webb being just three examples of writers that added sophistication, sly subversion and progressive optimism into pop. Georgia's Brent Cash is the latest name in this lineage, back after a five year hiatus with his third and strongest LP to date. Bar the strings Cash plays every instrument on the record.
It's oddly fitting that the album's title track references Richard Nixon, whose political demise roughly coincided with the end of sunshine pop's time in the sun. Here earworm melodies sit atop obliquely shifting piano chords and inventive arrangements. Beneath the light and breezy soft-pop feel lies some serious alchemy. Cash has created a sound that both pays tribute to his forerunners and adds new depth. Dig the new breed.