(This review first appeared in issue 52 of Shindig! magazine)
Hampered on its initial 1976 release by a refusal to tour and the feeling of it being a major label take on the new wave zeitgeist, this sole eponymous album has aged well. Marked by its warmth and pure joy of (power) pop, it may have been at odds with the prevailing AOR professionalism of the era but forty years on reveals itself as a lost gem.
Founding member of The Left Banke, Michael Brown had a genius knack for delicate melodies and classical influenced arrangements which sat well with the power pop brio of his newly found bandmates, who'd learned their craft in Chessmann Square, a journeyman group founded on a love of harmony-rich British Invasion bands.
The Beckies would turn out to be Brown's last release on a major label. This first time on CD reissue is a fitting tribute to the man, whose talents gave so much and deserved more in return.