Wanna
carnival? Then check out this overview and primer of modernist Latin
music.
Every
few years, Latin music makes gatecrashes mainstream music's party for
a brief but enlivening spell. Be it Fania Records, Santana, or most
recently Beuna Vista Social Club. When it happens we're reminded that
we actually quite like these sophisticated rhythms and their
join-the-carnival comeliness. Of course, beneath the radar this music
has never really been away, and continues to progress quite nicely.
Its creators and followers hip to the fact like they're members of
some exclusive underground club. Judging by this collection compiled
and mixed by DJ/musicologist Chris Read, the modern Latin-inspired
scene is in robust health, and not confined to the countries of
Latin-America.
Released
as a 2CD set (1 CD mixed, the second unmixed original versions) Latin
Concrete features several genuine Latin stars (Spain's Gecko
Turner, Brazilian samba-rapper Marcelo D2, and legendary Puerto Rican
vocalist Sammy Ayala), along with a globe-spanning line-up of
electronic music makers. Urban New York is expectedly well
represented by Brooklyn Hip-hopper Oddisee, Quantic & Nickodemus,
DJ Center, and Greenwood Rhythm Coalition. While proof of Latin
music's far reaching diaspora is provided by the inclusion of
Greece's Palov & Mishkin, Stockholm's Beatfanatic, and rural
Germany's Juju Orchestra. Also holding their own is the UK's crop of
Latin-inspired artists, Manchester's RSL, Coventry's Color Climax,
Brighton's Black Grass and TM Duke, along with London's Jack Baker
Trio and Chris Read himself.
It's
a well sequenced and mixed journey through bossa nova, samba, and
MPB, though it's the spirit of Cuban salsa that comes over most
strongly. Traditional rhythms and instrumentation are given a modern
flavour with the addition of sampling, turntable scratching and
gentle electronic beats. Bongos, whistles, double bass and flamenco
guitar proving compatible with the western tinges of funk, soul,
disco, fusion and house. Latin Concrete works as both a great
introduction for anyone wanting to investigate modern Latin-inspired
music, and as a welcome addition for any aficionado's collection.
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