A winning mix of shoegaze and Sabbath-inspired riffage from female-fronted Detroit four piece.
If a band was to pick a Davie Bowie song to cover, most would opt for for something from his '70s or early '80s output. There are not many bands that would choose Bowie's 1997 single “I'm Afraid Of Americans”. But there again Luder (for it is they) are no ordinary band. On Adelphophagia, the band's 2nd long-player and follow up to 2009's Sonoluminescence, the band's version of the lesser-spotted-Bowie-single adds a rock guitar slant to Bowie and Eno's squelchy electro-funk. It's a choice that tells you much about Luder. They've one foot in the four-square grunge rock classicist camp, while slyly casting admiring eyes and taking note of the more avant-garde, artful and experimental. The Lady Gagas of rock if you can picture that for a second. Well maybe not, but if anyone remembers electronic rock duo Curve, that may give you an idea of what we're dealing with.
It's this mix of leftfield rock and big choruses that gives the album it's strength. It's moody, but big on groove. The album's release on Small Stone Records marks something of a stylistic departure for a label that's usually associated with a more macho stoner rock sound. This branching out into more cerebral meditative territory can do no harm though. The riffs when they do come will still satisfy die-hard rock fans, they're hard hitting and perhaps all the more effective for the band's otherwise restrained use of dynamics. While difficult to pigeon-hole into one stylistic genre, as there are various strands in Luder's musical DNA, it's this effortless blending that ultimately stands in the band's favour, and anyone willing to listen will no doubt be won over. Oh and the album title? It's what happens when an embryo consumes another in utero. So now you know!
Click here for Luder's website.
Click here for Small Stone Records.