Four
bands for the price of one showcasing the best of Italy's Heavy Psych
Sounds label.
Split releases are an
interesting affair. The hope is that the each band's music will sit
comfortably on such a format and compliment that of the other bands.
When they work everyone's a winner – the musicians, label and
especially us humble music consumers. For the music fan they're often
a gateway or inroad into new sonic adventures. You buy the thing
because it features one band and end up liking and investigating the
other bands.
This four way split
featuring acts on the Heavy Psych Sounds record label is a good
example. Four bands – (Naam, White Hills, Black Rainbows and The
Flying Eyes), each having 2 songs to let us know what they're about.
Or just the one in White Hills' case. Although already familiar with
the work of Black Rainbows (click here for a review of their Holy
Moon album), the other acts are new to me so we'll look at them
first.
Naam open the
proceedings with “Skyscraper (Ambient Remix)”. The bracketed part
of the title will give you a clue to what this track is about. It
feels like the calm before the storm, as if we're being broken in
gently. It's not until their following track that we get a truer
sense of what they're about. “Thickening Web” is infused with a
dread and foreboding that the title suggests. Hypnotically
repetitive, circling and building. More Krautrock than stoner-rock
which comes as a surprise given the stylistic reputation of the
label.
White Hills' sole track
“They've Got Blood... Like You've Got Blood” is an eleven minute
epic opening with with random oscillations, mariachi trumpet and
angry voices before drums begin to swell the track into something
grander. Again there's more drone than rock, hinting at a new
direction or offshoot for the label perhaps. It's not until the eight
and a half minute mark before the track takes an unexpected turn into
Kraftwerk-influenced electronica. Expect the unexpected as the saying
goes.
Next up are Black
Rainbows with some altogether familiar hard-driving stoner-rock on
“Viper Rock”. Guitar fuzzy, hoary rock god vocals. It's safe but
good ground. It's not until the band's second offering that they show
us what they're really capable of. “Minor Monster Galaxy Message”
is a slower, more nuanced affair with some lovely delicate electric
piano midway through.
It's left to The Flying
Eyes to round off the album. Their first track “Golden Grey” has
a stately grandeur about it, with guitars holding long high notes
over the Eddie Vedder-esque vocals. They follow this up with “Evil
Little Leslie”, (a nod the rotating speaker cabinet used on the
vocal no doubt), which makes use of Hubert Sumlin's Spoonful riff.
All in all this is a surprisingly varied and rewarding compilation.
Keep your mind open and you'll end up liking at least one of the
bands here more than you thought you would.
Click here for the
Heavy Psych Sounds website.
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