The
latest torch carriers for gritty, soulful blues release their debut
LP.
The Blues is a wheel
that keeps on turning, a gift that keeps on giving. The recent
popularity of The White Stripes, The Black Keys, Seasick Steve et al,
have made the blues newly accessible to mainstream ears. Unlike jazz
it seems to have avoided becoming a dead form, ironically by not
changing that much. The same three chords, same subject matter and
same delivery have served it pretty well.
The latest band to
breathe new life into this old form is Handsome Jack, a quartet from
Buffalo, NY. Their debut album Do What Comes Naturally doesn't
serve up anything particularly revolutionary but as the title
suggests they make music that feels right, and feels good, from the
blue-eyed soul burr of the vocals to the in-the-pocket funky rhythm
section.
Unlike the White
Stripes' punked-up take on the blues, or the Black Keys indie-funk
makeover, Handsome Jack have opted for a more organic blues/soul
reunification, one with it's roots in the deep southern states of
Mississippi and Tennessee as opposed to the NY zip-code that Handsome
Jack call home.
Much like the LPs
Albert King made for Stax Records, the music here is laid-back,
groove-laden and soulful. The band's roots in garage rock are
betrayed by the record's bourbon-soaked rawness, but it's a blues
record at heart, albeit one that owes as much to '70s funk and late
'60s blues rockers Canned Heat as it does to the electrified Chicago
blues of John Lee, Muddy and Wolf.
Produced by Zachary
Gabbard of label-mates The Buffalo Killers, the record essentially
captures the band's live sound with some subtle additions - sumptuous
Hammond organ (courtesy of The Lemon Pipers' Bob Nave), the
occasional harmonica solo, and some Sweet Inspirations-esque backing
vocals. Do What Comes Naturally is a fine addition to the
contemporary blues cannon and a disc that'll nicely soundtrack any
blues house party.
Click here for more on
Handsome Jack.
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