Luv
'n' Haight! Rock 'n' Roll! Second album of heavy acid-rock from
Janiece and the boys.
San
Francisco is already a city with a reputation for brain-bending,
female-fronted, acid-rock. Think of Janis Joplin fronting Big Brother
And The Holding Company back in the late '60s. That reputation is
further renewed by the release of Above
Becomes Below,
the second album by SF-based rockers Wild Eyes, featuring vocals by
Janiece Gonzalez, surely the inheritor of Joplin's untamed queen of
rock crown.
This
is no Luv'n'Haight hippy trip though, it's something altogether
wilder, trashier and rockier, much more 21st
century rock and roll, yet informed by the heavy '70s, trash-punk
'80s, funk-rock '90s and the back-to-basics new rock revolution of
the noughties. There's a road-hardened edge to all the psychedelic
rock riffage and unhinged guitar solos, one that evokes wild
nights, fast-living and outsider status.
Like
any power trio worth their salt, the dudes in the band make rock with
a groove, and allow plenty of space for Janiece to do her wild woman
vocals over the top. After the initial bluster and bombast of opening
track Stiff Nites, the album settles into its groove. With no weak
links in the chain Wild Eyes are equally at ease with the slinky,
slithering, shape shifting funkiness deployed on seven minute opus
The Freak, as they are with the Led Zeppelin style riffs of Alabaster
Dream and mystic dreaminess of Hewn Runes. Another artistically
successful release for Italy's Heavy Psych Sounds Records, and one
which raises the freak flag high. To paraphrase Davis Crosby – you
might even grow your hair!
Wild Eyes are -
Janiece Gonzalez –
Vocals
Carson Binks - Bass
Chris Corona - Guitar
Ben Richardson - Drums
Click here for more on
Wild Eyes.
Click here for Heavy
Psych Sounds Records.
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