Luv 'n' Haight! Rock 'n' Roll! Second album of heavy acid-rock from Janiece and the boys.
San Francisco is already a city with a reputation for brain-bending, female-fronted, acid-rock. Think of Janis Joplin fronting Big Brother And The Holding Company back in the late '60s. That reputation is further renewed by the release of Above Becomes Below, the second album by SF-based rockers Wild Eyes, featuring vocals by Janiece Gonzalez, surely the inheritor of Joplin's untamed queen of rock crown.
This is no Luv'n'Haight hippy trip though, it's something altogether wilder, trashier and rockier, much more 21st century rock and roll, yet informed by the heavy '70s, trash-punk '80s, funk-rock '90s and the back-to-basics new rock revolution of the noughties. There's a road-hardened edge to all the psychedelic rock riffage and unhinged guitar solos, one that evokes wild nights, fast-living and outsider status.
Like any power trio worth their salt, the dudes in the band make rock with a groove, and allow plenty of space for Janiece to do her wild woman vocals over the top. After the initial bluster and bombast of opening track Stiff Nites, the album settles into its groove. With no weak links in the chain Wild Eyes are equally at ease with the slinky, slithering, shape shifting funkiness deployed on seven minute opus The Freak, as they are with the Led Zeppelin style riffs of Alabaster Dream and mystic dreaminess of Hewn Runes. Another artistically successful release for Italy's Heavy Psych Sounds Records, and one which raises the freak flag high. To paraphrase Davis Crosby – you might even grow your hair!
Wild Eyes are -
Janiece Gonzalez – Vocals
Carson Binks - Bass
Chris Corona - Guitar
Ben Richardson - Drums
Click here for more on Wild Eyes.
Click here for Heavy Psych Sounds Records.