Booker T. Jones - The Road From Memphis

60's legend, aided by some famous pals, in fine return to form.

Back in the 60's when soul music rivalled The Beatles in terms of world and chart domination, two record labels both had very convincing claims to rule the soul roost, each boasting an in-house recording studio and house band. The first of these was Berry Gordy's Motown, a production line set-up with a string of solo vocalists and vocal groups, smoothly groomed for pop stardom, their music aimed at both a black and white audience. The hidden, faceless, in-house studio band became known as The Funk Brothers.

Deep down south in Memphis, Stax Records put together an altogether grittier soulful groove. During the time of the civil rights movement, the label staff along with the in-house studio band were progressively mixed race. The house band at Stax was Booker T. And The MG's, led by organist Booker T. Jones. The MG's line-up was completed by bassist Donald “Duck” Dunn, guitarist Steve Cropper, and drummer par excellence Alan Jackson Jr. (Who died in tragic circumstances in 1975). Together this super tight unit provided the backing on literally hundreds of soul tracks for singers such as Otis Redding, Wilson Pickett, Sam and Dave, The Staple Singers, and Johnnie Taylor. On top of this the group also managed to find the time to make hit records of their own, perhaps the best known of which is the classic “Green Onions”. 

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Sharon Jones & The Dap-Kings - Soul Time!

Taut funk grooves, and soulful social commentary from the world's greatest contemporary soul band.

The soul powerhouse that is Daptone Records is the closest thing we have to a modern day Motown or Stax Records. Continuously putting out great singles and albums that hark back to the classic soul and funk era of the 60's and 70's while satisfying a thoroughly modern desire for something authentic, human and emotional. They stand as a beacon of hope in the avalanche of plasticity that is modern day conveyor belt pop. Soul time indeed.

The Dap-Kings of course are well known for having been Amy Winehouse's backing band of choice. So if you're not familiar with the records they've made with Sharon Jones, chances are you'll have heard them on Back To Black or Rehab. It's backing Sharon Jones however where it all slots into place. Like Aretha Franklin she possesses a voice that commands and demands respect, along with the ability and emotional range to sing dance-floor shakers, vulnerable ballads, and social protest anthems. All of which take their place on their latest platter.

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