Showing posts with label folk-rock. Show all posts
Showing posts with label folk-rock. Show all posts

Thursday, 15 November 2018

Me And My Kites - Natt o Dag


(This review first appeared in issue #79 of Shindig! magazine.)

Self Release LP

Stockholm's Me And My Kites are a curious bunch. The list of personnel and instruments on their third LP is so long they'd be more accurately described as an orchestra than a band. Flute, violin, oud, electric harpsichord, Mellotron and clarinet all get an airing. Not that their sound is dense, it's anything but, with restraint and subtlety favoured over any wall-of-sound.

As on their previous recordings they draw heavily from the Canterbury sound, but here blend in early classical touches, at times recalling the R&B-infused instrumentals of David Axelrod, the melancholic indie-noir of The Amazing, and Jean-Claude Vannier's atmospheric scores. Best of all is when these textures are married to a pop sensibility as on 'Another, a Lover'. At its best Natt o Dag is courtly chamber-pop with lyrics that touch on astrology and the seasons as well as affairs of the heart. A record whose charms are slow burning but worth the investment.

Sunday, 3 June 2018

The Left Outsides - All That Remains


London folk-rock duo's ace LP! Beautifullly sung timeless songs!


It's a good few years since I lived in London. And to be honest I don't miss it that much. Well that's not entirely true, there are certain things I miss about it. Spending a lazy Saturday afternoon in a civilised London boozer, nursing a pint, reading the paper and perusing a few vinyl purchases is pretty much a perfect afternoon in my opinion. Red buses going past outside as the football results come in. Ah I'm getting all misty-eyed just thinking about it. I am at heart however a country boy, clean air, rivers and chalk hills hold just as much appeal these days. And I'd struggle to pay those London rents let alone have money left for a Saturday pint or two.

There is one thing about modern London that does make me wish it was in easier reach. There are some fantastic bands doing the rounds there right now, playing the capital's venues regularly. It seems today's London is experiencing something of a purple patch with regards to grass roots music. Thankfully I get to hear these bands via the records they put out. Recent releases from Green Seagull, The Hanging Stars and The Cold Spells have all hit the spot. Another name to add to the list is The Left Outsides. Their recent long-player All That Remains has been a Bandcamp favourite of mine over the last few weeks.

Genre-wise I'd go with folk-rock but really they're all about great songs, beautifully sung and played. There's a timeless quality to their album. The songs could have surfaced in the late '60s/early '70s and would have fitted in with the likes of Fairport Convention, Pentangle et al. Or they could be old English folk songs from a century before. Or, as is the case they're getting their first airings in 2018 and will still sound fresh as the seasons turn and the years pass. The only thing that places the songs in the here and now is a lyric that refers to taking a bus trip in the 1970s. Interestingly this is backed by electric guitar chords that echo 1976's summer of punk. That aside the lyrics have an elemental, earthy yet spiritual quality.

So who's behind these sounds? Alison Cotton (viola/vocals) and Mark Nicholas (guitar/bass/keys/vocals) were members of The 18th Of May and are in Trimdon Grange Explosion, another fine London band who put out an eponymous LP last year. The Left Outsides recently toured supporting Robyn Hitchcock. A damn fine gig billing that. Oh and Alison also contributed to Through Passages Of Time, the ace hauntological album by The Hardy Tree that came out a year or two back. London, it always changes but always delivers.


Click here for The Left Outsides on Twitter.
Click here for The Left Outsides on Facebook.
Click here for Cardinal Fuzz Records.

Saturday, 18 March 2017

The Higher State – Your Casting Doubt (Ltd. 7”)


Latest single from Kent garage-heads! 300 copies only!


The Higher State's LP from last year, the misleadingly titled Volume 27 was a winner for those of us who like their music with a distincly '60s hue. The three man line-up that made the album are back with a new 7”, limited to only 300 copies.

A-side 'Your Casting Doubt' has the same musical DNA as Volume 27 – plenty of fuzz guitar, authentic trebly production, and that Yanks-copying-Brits-copying-Yanks vibe that was all the rage back in '66. Wait a minute, these are Brits-copying-Yanks-copying-Brits-copying-Yanks! Get your hear round that folks!!

Anyway let's not get bogged down in the ethnology, suffice to say that it sounds great. Flipside 'X-Ray Day' tells a worrying tale of a hospital visit/nuclear dread delivered with charmingly lazy, nasal vocals. Neat!

If you want a copy, 100 come in a folded over sleeve (available via the band's own Bandcamppage), with the other 200 regular copies available from Market SquareRecords. Get ordering doods!


Click here for The Higher State.
Click here for Market Square Records.

Sunday, 8 January 2017

Us and Them - When I Was Walking / Green Couch (Ltd. 7")


Ultra rare 7” of modern day acid-folk!

Hot on the heels of their recent Sandy Denny tribute EP on Fruits de Mer, Us and Them release this brand new 7” on the equally fab label Mega Dodo Records. This time round they've featured two of their own songs – 'When I Was Walking' and 'Green Couch'. The Swedish duo don't disappoint. Soft, beautiful and timeless. Two tracks that could melt the iciest of hearts. As the world heads into the unknowable and unpredictable future it's comforting to have such stellar music. Check out the video for 'When I Was Walking' and lose yourself in its beguiling power.

It's a very limited release so if you want to get a copy don't hang about! Available as a limited edition of 150 green vinyl copies for Mega Dodo Singles Club members with another 150 copies on black vinyl for everyone else.


Click here for more on Us and Them.
Click here for Us and Them on Facebook.
Click here for Mega Dodo Records.

TRACKLISTING
When I Was Walking
Green Couch

Wednesday, 14 December 2016

Us and Them - Fading Within The Dwindling Sun (10")


Swedish duo's tribute to Sandy Denny!

This coloured 10” vinyl is out now on Fruits de Mer Records. It's a five-track tribute to Sandy Denny featuring three Denny-penned tracks and two more songs she made her own. Anyone doubting that Us and Them can due justice to the music of Sandy Denny need only check out the 7” they released a couple of years back which contained a sterling cover of 'By The Time It Gets Dark'.

As we approach the solstice, the sun is dwindling it does indeed get dark early. I can't think of a better soundtrack for to accompany the midwinter stillness. My advice – avoid the High Street madness, do your shoppong online (from Fruits de Mer reputable mail order service), find a quiet spot and let this music take its effect. It's a perfect piece of wintry folk, and another jewel in the Fruits de Mer catalogue. Just right for those moments of quiet reflection, when you take stock of the preceeding year and charge your batteries for the next 12 months. Have a great solstice everyone.

TRACKLISTING
Winter Winds
Farewell, Farewell
Next Time Around
Banks Of The Nile
Take Away The Load

Click here for more on Us and Them.
Click here for Us and Them on Facebook.
Click here for Fruits de Mer Records.


Sunday, 17 July 2016

The Higher State – Volume 27


Folksiness, Farfisa and fuzz guitar on fifth LP from Kent's garage stalwarts!


The Higher State's fifth long-player is on store shelves now (or more accurately available to order online) and does not dissappoint. Ten years into their tenure the band is now distilled to a three-piece; Marty Ratcliffe on guitar/vocals/organ, Paul Messis on bass/guitar and Scarlett Rickard on drums. With the writing split between Ratcliffe and Messis.

The touchstones of The Byrds, Love and The Electric Prunes are here to satisfy the faithful, but despite their love of US garage the band have a distinctly (English) personality of their own. To call Volume 27 a protest album may be a step too far but there is a state-of-the-nation thread that runs though the record.

Musically there's folksiness, Farfisa and fuzz guitar, with production values geared towards treble-friendly AM radio. The ear-splitting guitar solos and frantic drumming are balanced by the gentler folk-rock type tracks which helps hold it together as an album. (Unlike a lot of garage LPs which all too often sound like a cobbled together collection of A and B-sides)

For a musical form that was supposedly crystalised and archived on Lenny Kaye's Nuggets compilation it comes across here as in pretty good shape and the perfect tool to kick against thepricks of today.

To paraphrase The Who - “Garage rock is dead they say. Long live garage rock!”

Click here for The Higher State on Facebook. 
Click here for 13 O'clock Records.

Sunday, 17 April 2016

Five reasons to love Sandy Denny


Sandy Denny must surely be one of the greatest singers these shores have ever produced. She was gifted with a voice that seemed to carry an eternal truth. It was and remains a voice you simply could believe in and added depth and weight to any song she sung. A voice that didn't try and sell you the song, but made sure you simply had to listen.

This Friday sees the release of I've Always Kept A Unicorn, a 2CD set of acoustic songs containing demos, live performances, radio sessions and previously unreleased recordings spanning her all too short career. It features Sandy Denny's solo work along with recordings she made as vocalist with Fairport Convention, Fotheringay, The Strawbs and The Bunch. Alongside the 40 songs it also comes with extensive and beautifully written sleeve-notes by Sandy's biographer Mick Houghton.

To mark it's release here's a short list of reasons why everyone should love Sandy Denny. (click over the jump.)