Ambitious state of
the nation address from Seattle's long serving ambient roots rockers.
“They've all come to
look for America” - Simon And Garfunkel, America, 1968
“You don't have to
search for it, and it don't give a shit” - The Walkabouts, The
Dustlands, 2011
For their 15th
studio album and their first since 2005's Acetylene, Seattle's
Walkabouts have come up with a loosely based song cycle or concept
album concerning a semi-mythical place, The Dustlands. It doesn't
take a genius to work out (and by the press release's own admission)
what they're really talking about is their own country, the good ol'
US of A. Of course it's long been a theme of many an American
artist's work to try and capture the essence of this fascinating and
young country. From Woody Guthrie, Bob Dylan, Curtis Mayfield,
through to Patti Smith, Bruce Springsteen and Green Day, it's an
obsession that can last a whole career and still only only begin to
scratch the surface. A brave band then to approach such a task as
America is still suffering from a crisis of confidence 10 years after
the horrors of 9/11, consolidated by the knocks it's taken from the
global recession.
Click over the jump for more on The Walkabouts - Travels In The Dustland
Vocal duties are shared
between main songwriter Chris Eckman and Carla Torgerson, providing a
nice yin/yang balance. Torgerson sings the opening track “My
Diviner” which sounds not unlike a Daniel Lanois production (think
Emmylou Harris' Wrecking Ball), gentle pedal steel conjuring up open
spaces and heat-hazed horizons. Eckman then takes the lead vocal for
“The Dustlands” and the driving “Soul Thief” with it's fast
tremoloed electric guitar backing.
In contrast to this
Torgerson then takes the lead for sad piano ballad “They Are Not
Like Us” along with the beguiling 5/4 time signature of “Thin Of
The Air”, a track worthy of classic era Jefferson Airship, doom
laden yet at the same time mystical and enticing. There's enough
variety and difference in texture to the songs to sustain listening
to the album in one sitting, and it's fairly lengthy listen, the
eleven songs clocking in at fifty seven minutes in total. Despite
such differences they all lend credence and weight to the album as a
whole. Worth investigating.
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