Down
'n' dirty blues rock. The wild west conjured up via some boogie 'n'
roll. Features guest vocals from Cheap Trick's Robin Zander.
Anyone with too
sensitive a nature may want to give Five Horse Johnson a wide berth.
The Toledo five-piece make music that doesn't pander to namby pambys.
Instead they make hard, driving blues-rock that conjures up the
pioneering spirit of the wild west; hard working, hard drinking,
unapologetic and not to be messed with. Of course, some of us have a
constitution that can handle that stuff. If that's the case stick
around for tales of stubborn horses, wanted posters, hangmen, hard
living, hard loving, and eye-for-an-eye retribution.
The band's seventeen
years together has seen them release seven albums, the latest of
which, The Taking Of Black Heart, maintains their trademark
sound of electrified, heavy blues. The Job opens the album with
vague, whale-like noises lulling you into a false sense of security
before the drums and Zep-style riffs kick in, the guitar lines
bolstered by some close following blues harp. “Will I stay on the
road till I get what I'm owed?” sings vocalist Eric Oblander,
neatly summarising the position of many a dues-paying rock band.
Well, that's the road for you! As addictive as nicotine!
And that's the place
where this album works best. I've given it a fair few spins over the
last couple of weeks – at home, at work, even in bed. But the place
where it makes most sense is on the open road, or in my case the A63.
And a companionable travel buddy it is too, full of one-chord boogies
pitched somewhere between Junior Kimbrough and ZZ Top. Of extra
appeal to the older rockers out there will be the guest vocal
appearance by Cheap Trick's Robin Zander on the soulful and funky
You're My Girl (I Don't Want To Talk About It). One for the road
anyone?
Click here for Five
Horse Johnson's website.
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