(This review first appeared in issue 60 of Shindig! magazine)
Faber & Faber
More villain than hero. That's how the world views Mike Love in the pantomime story of The Beach Boys. This book attempts to set the record straight, with Love placing the biggest blame for the band's fractious nature on the Wilson brothers' father Murry, a control freak whose bad management decisions would haunt the band over the ensuing decades.
He's equally candid about his own shortcomings, with evidence of his contradictory personality throughout; the most business-minded Beach Boy, but one with an interest in meditation and astrology; a clean-living, drug-free vegetarian with anger issues; a serial womaniser who won't live with a woman outside of marriage. As self-appointed “road-dog” Love has worked harder than anyone in the band to keep their stock high, a role he claims he was forced to take after missing out on songwriting credits and losing rights to the back catalogue. (Murry Wilson again!).
Aside from the score settling, all the juicy stuff is here – making Pet Sounds and SMiLE, lawsuits, tour punch-ups, Maharishi, Eugene Landy and Charlie Manson. Love may never win a popularity contest when up against Team Brian, but he's good company and disarmingly gracious when it comes to his extended family of bandmates, complimenting all three Wilson brothers, and expressing palpable sadness over Brian's mental decline and the deaths of Dennis and Carl.
As rock's most dysfunctional family band, The Beach Boys' story is one we'll never tire of, and from this angle it's less black and white than some observers would have us believe.