(This review first appeared in issue #75 of Shindig! magazine.)
The former member of indie-popsters One Happy Island stays the right side of twee on the follow-up to 2015's Tell Someone, not striving for complication or perfection, but winning listeners over with simple arrangements and inspired instrumental touches from his guest players (Mitch Easter, Pete Weiss and Kevin Dunn). Added to that is his vocal delivery, reminiscent of Eric Matthews, and a winning way with tunes, be it the stately piano pop on 'Promises' or the sprightly upbeat 'Hey Everyone'.
The main attraction however is the range of subject matter. Martin is unafraid to lay his frailties, fears and faults on the line which makes for an album that's honest and brims with curious thoughts and obsessions. Whether comparing the merits of various British jazz critics, analysing the appeal of The Bar-Kays' 'Soul Finger' or documenting his move from Massachusetts to North Carolina he's unguarded and open. Therein lies the album's charm.