(This review first appeared in issue #76 of Shindig! magazine.)
1969 was a defining year for this Greenwich Village folkie. The opening appearance at Woodstock and the release of this sprawling 17-song collection, which originally came out as a double vinyl set. The Orwellian title taps into the paranoia of the age, the songs half utopian ideals, half the dawning of dystopian realities, all rendered in the production values of the time - heavy stereo, loose jams with subtle exotic touches of tabla, sitar, congas and even an Ondioline.
An underrated writer mixing poetry and protest in his self-penned songs, Havens' was also a skilled interpreter, unearthing nuances here in songs by Dylan, Donovan and Cohen, along with four Beatles tracks. Most poignant is the final run of songs (side four of the original vinyl), recorded live at a Santa Monica gig where his rich soulful voice, warm rapport and willingness to improvise remind us what an original talent he was.