Wednesday, 5 May 2021

The Bamboos - Hard Up

Australia's top soul band release their tenth studio LP full of socially conscious danceable grooves


A most welcome discovery for me recently has been Australian band The Bamboos, though I'm somewhat shocked to discover they've been making sweet and funky soul music for the best part of 20 years! Oh well, at least there's a wealth of back catalogue to dive into. The Melbourne-based band are set to release Hard Up this week. It's their tenth studio album and is guaranteed to satisfy long-time fans and no doubt win over a few new ones too.

Hard Up saddles the line between retro and contemporary, and as you'd expect from a nine-piece revue-style band there's plenty going on to keep your interest - punchy horn lines, tasteful guitar and keys, and that all important locked-in drum and bass groove. Soul music is nothing without a great singer though, and thankfully fronting The Bamboos is the phenomenal Kylie Auldist. Equally adept at providing powerhouse vocals as she is at delivering those requiring sensitivity. Check out the contrasting styles between the version of Black Box's 'Ride On Time' and the soft and sensitive 'I Just Heard You Leaving'.

Thematically the album touches on universal daily struggles ('Hard Up'), and tips its hat at the kind of politically aware soul that Curtis Mayfield may have penned ('Power Without Greed'). It's a rallying cry for justice that moves feet as well as minds, and has a pretty neat flute solo. The album is as much about good times as it is about hard times however and there's an ultimately up-lifting good-time vibe throughout.

The record also features some great guest vocal appearances - Sydney-based singer Ev Jones on 'While You Sleep'; LA-based Joey Dosik channels Smokey Robinson on 'It's All Gonna Be OK'; and rising US star Durand Jones guests on 'If Not Now (Then When)', a track that harks back to classic sixties style soul.

Alongside the great vocals, the band, centred around founding member Lance Ferguson are on top form. Check out funky Meters-style instrumental 'Wishbone' should you need proof. The album was recording in a week of sessions just prior to last year's Melbourne lockdown. Hard Up is an irresistible affair that warrants repeat plays at an ever increasing volume. Neighbours you have been warned!


Click here for the band's website


Sunday, 11 April 2021

Voice & Strings & Timpani

Emotionally charged experimentalism.


When it comes to art, culture, and especially music, it's said we live in bland and unadventurous times, most often by people who hanker after after a supposed golden age. Anyone with a willingness to listen outside of their own comfort zone will know this is not the case however. Thankfully there are scores of musicians and labels releasing music that's non-conformist, passionate, at times challenging, but that has the all-important ability to move hearts and minds.

One such record label with a consistently high standard is Hubro Records, a record label based in Norway whose back catalogue contains often unclassifiable music that skirts the edges of classical, modern jazz, electronica, folk, and even Sousa, yet belongs to no singular camp. The records Hubro release belong to their own category. Experimental in nature yet highly engaging and always with a deep emotional core.

A recent example is this eponymous long-player by Voices & Strings & Timpani. It's the latest project by guitarist Stephan Meidell and drummer Øyvind Hegg-Lunde, two musicians who have a long-standing relationship with Hubro and the wider Scandinavian experimental music scene. This album is a perfectly recorded suite of tracks, made all the more remarkable when one considers that a large part of it was recorded live at Bergen's Nattjazz Festival in 2016.

Opening track 'Cashmere' washes in with evocative swoops of harp over an insistent electronic pulse before wordless vocals and bluesy guitar add to the drama. I'm loathe to use the word journey but there's a sense that you're about to be taken somewhere. 'Escargot' follows, driven by a repeated bass line, it features French language vocals from the Mari Kvien Brunvoll and Eva Pfitzenmaier. My rudimentary, rusty French won't allow for a full translation but I guarantee you're unlike to hear a more engaging song about a snail anytime soon. It eventually drifts out with bursts of slide guitar. It's as if the soundtrack to Paris, Texas has been reimagined in some far off parallel universe.

'Swarming strings Made Out Of Light' sees the vocals switch to English, but are half-buried beneath a barrage of percussion. Three songs in and it's becoming clear that Voice & Strings & Timpani is a genre-free zone, though it's disparate tracks are held together by a uniformed sense of purpose between the musicians involved. And so it continues throughout the rest of the record. 'Laxevaag' containing percussion that sound like ticking clocks, added noise that could be dogs barking, and a textural layering of keyboards. It's a simultaneously disorientating and meditative.

'Community' is a short folksy interlude featuring effects laden vocals and flutes. It gives way to the epic emotional electronic beats of 'Talk Tick Talk'. Much like the album's cover, an abstract photo of oil on water, the music is fluid, ever shifting, and though it's primary colours don't change much, the way they're put together does. It's a strange yet and enchanting record, one that deserves the undivided attention of a one-sitting headphone listen, and one that will have you finding more with each listen.

Wednesday, 17 March 2021

Vinny Peculiar - Return Of The Native

 (This review first appeared in issue #89 of Shindig! magazine.)

Few writers mix humour and poignancy as well as Mr Peculiar. While Bowie, Reed and Iggy took inspiration from '70 Berlin, here we have songs rooted in '70s Worcestershire. Take 'The Singing Schoolteacher', a moving tribute to Clifford T. Ward who taught at Peculiar's Bromsgrove school for a year before pursuing his musical career. Such nostalgic reminiscences inform much of the lyrics – picture a teenage Peculiar devouring Melody Maker and NME, soaking up influences from an era that straddles the tail-end of prog, through to glam, punk and disco.

The locations may be specific but the experiences will chime universally. Be it local school rivalries played out on bus rides home, laments for lost music venues or the love life of an English civil war battle re-enactor, Peculiar has the ability to make you laugh out loud one minute then have you wiping a tear away the next. A delight.


Lee Fields and The Expressions - It Rains Love

(This review first appeared in issue #89 of Shindig! magazine.)

Fields has been making records since 1969 so it comes as no surprise that he can put together a class soul album. His latest is more of a Sunday morning record rather than a Saturday night party platter, with themes of thanks, love and both romantic and religious devotion. Then of course there's that voice. It ranks with the best – James Brown, Otis Redding and Levi Stubbs. But comparisons are meaningless given the conviction with which he sings. 

A great singer still needs a band of course, and the Expressions are on excellent form throughout. Standout moments? There are many - the attention grabbing middle eight in 'Bless With The Best', the infectious bass-driven groove of the title track, or 'Wake Up' with its dub feel and lyrics that fight back against fake news. For all the vintage soul classicism there's enough new moves to keep any neophiles satisfied too. Masterful.


Monks Road Social - Lost In Rasa / So Long Soho (Ltd. 7")

(This review first appeared in issue #89 of Shindig! magazine.)


Two standout tracks from the collective's recent debut album Down The Willows. 'Lost In Rasa' features lead vocals by Dr. Robert of the Blow Monkeys. It's string-laden stoner soul at its finest. Think Marvin Gaye on the cover of What's Going On – face turned to the rain but always in search of beauty. A song full of sad yet dreamy reflections and longings.

The flipside features Pat Dam Smyth on lead vocals. A name new to many though he has history having left his native Northern Ireland over 20 years ago to follow a nomadic musical existence. Spells in Dublin, Liverpool, Los Angeles, Berlin and London have led to the worldly wisdom that informs 'So Long Soho', a lament to a quickly fading bohemian enclave. Imagine Ray Davies in a sentimental mood at the pub piano, then join in on the singalong chorus. Monks Road is where it's at!


Wednesday, 10 March 2021

Erland Dahlen - Bones

An immersive listening experience. Norwegian percussionist releases fourth solo LP. 


On a recent episode of Radio 4's Desert Island Discs, the author David Mitchell spoke about one of his record choices as making him feel emotions he didn't know existed and making him feel nostalgic for times and places he doesn't even know. I may have got the wording slightly wrong there but hopefully you get a sense of the sentiment. I'm reminded of this quote while listening to the new album by Erland Dahlen, a much respected percussionist within free-jazz circles in his native Norway. Bones is Dahlen's fourth album, having previously released Rolling Bomber (2012), Blossom Bells (2015), and Clocks (2018).

You would think that the tendency for drummers as bandleaders would be to make virtuosity and showiness the central feature when it comes to recording. (I'm reminded here of a Gene Krupa/Buddy Rich LP I picked up at a charity shop, where the two pitch up against each other. It's a fine record but its emotional resonance is hampered by the desire to show off chops.) Thankfully that's not the case here – Bones is all about the emotional journey. Meditative, hypnotic, at times soothing, always immersive.

Dahlen plays pretty much all the music himself, which features a broad range of drums and percussion instruments along with Mellotron, modular synths, dulcimer and zither. The album has a rich instrumental palette, and one that embraces experimentation – along with the vintage drum skins used there are musical saws and the sound of marbles rattling on a plate. Also notable is the use of heavy reverb, which along with the virtuosic drumming and focus on emotion makes for a compelling one-sitting listening experience, full of progression and forward movement.

The last year has been one of increased solitude for many, a time when if you've been lucky enough to stay healthy and solvent there's been an opportunity to take yourself on an inner journey. A record such as Bones is a perfect soundtrack for such moments of reflection. It's an album that requires you to turn off the phone, TV, and tablets, to put on some headphones and let the music take you somewhere.

Click here for Hubro Records


Wednesday, 11 November 2020

Anton Barbeau - Manbird


Barbeau is back. A wealth of delights on this double disc concept album.

While 2020 may have seen a distinct lack of gigs and tours, it's been a back-handed gift to musicians who like to bunker down at home and get creative with writing and recording. Anton Barbeau is no stranger to either, having recorded in excess of 30 albums. His latest, released in September, does not disappoint. It's a double album featuring 25 psych-pop nuggets which form a loosely meandering concept album, one that has an obsession with travel and birds.

For those unfamiliar with Brabeau's work, his songs mix autobiographical experience with subconscious psychedelic wordplay. Musically they draw on New Wave pop and left-field mavericks such as Devo, David Bowie, Syd Barrett. But they're in no way derivative, a Barbeau song is simply that, distinctively his own. The wonderful thing about double albums is the space it allows for the artist to stretch out. Having that bigger canvas means they can make stylistic shifts, develop themes and really take the listener deep into their world.

It's all here on Manbird, Barbeau's latest  collection of cottage industry psychedelia. Homemade with the assistance of a few close friends including Sharon Krauss and Matt Sewell. So what's it all about? The album has a skewed autobiogrphical slant, focussing on Barbeau's growing up in Sacramento. It's an album about roots, reflections and flying the nest. For the most part catchy hook-laden psych-pop rules the roost but there are hand-brake turns into thrashy punk ('Featherweight'), and odd little interludes such as 'Cowboy John', which is the first ever song Barbeau created at the age of eight. It's neatly juxtaposed with a version of 'Greensleeves' that has newly penned lyrics about childhood dogs, broken toys and those peculiar early memories that resonate through later decades.If Barbeau ever decides to write an autobiography there's no doubt it would be a compelling read. For now though, this double disc of delights more than suffices.

Click here for Gare Du Nord Records.

Wednesday, 21 October 2020

Fuchsia - See Emily Play / Bike (Ltd. 7")

Barrett re-visited on a very limited 7" single. SOLD OUT!

It feels odd to be posting about a single that's not released until next month but has already sold out fo mail-order on pre-orders alone, but it's such a great single I felt I ought to mention it. The chances of getting hold of a copy may be slim (unless you want to pay over the odds on Ebay or Discogs), but hey, that's market forces for you! Check out the excerpt on the video below and read the FdM statement regarding the single. There's also a link to sign up to the label's mailing list so you won't miss out on any future intstant collectables.

Here's the official word from Fruits de Mer...

"Fuchsia's version of 'See Emily Play' was recorded specifically for the Fruits de Mer 'A Band For All Seasons' set; we got lots of great feedback and it was picked up on BBC 6Music.

Tony and the band were due to fly over from Australia to play the 18th Dream of Dr. Sardonicus festival in Wales and Tony went back into the studio to record 'Bike' for a festival-exclusive 5" lathe-cut; the lockdown blew that idea out the window so we offered the very limited run of lathe-cuts we'd had produced (about 50 copies) by mail order to FdM club members.

They were massively oversubscribed and a couple of copies have already found their way onto eBay, selling for £150-£250 a time. We decided the recordings deserved to be more than eBay fodder so we're putting them out in November on 7" vinyl with a total run of 400 copes worldwide.

We're sold out at FdM Towers on members club pre-orders alone, but you're welcome to email to join a waiting-list as we might get a few extra from the pressing plant - or please go to Shiny Beast, who are our European distributors and handle non-uk orders as they will get their own supply, direct from the plant."


If you're not already on the FdM mailing-list, click HERE

'See Emily Play' b/w 'Bike' is released on November 9th.

Click here for Fruits de Mer Records.


Wednesday, 14 October 2020

The Superstars - Metamorphosis + Finale (Ltd. 7")

Prog's not dead! Keyboard-led heavy sounds at 33rpm.

Whatever your favoured format, recorded sound is a beautiful thing. Thanks to that technological advancement we have access to, for all eternity, great political speeches, hisorical news bulletins, along with the recorded works of The Beatles, Emerson Lake and Palmer, The Sex Pistols, and Pinky & Perky. It's a vast library and like the universe itself continues to expand.

One small but very welcome addition to the sonic archives is this forthcoming 7" single on the Fruits de Mer label. The Superstars are an Italian band, currently working on their debut LP which is set for release next year. Judging by this taster 7" single it will be one to look out for. 'Metamorphosis' is included here in studio form and (on the B-side) as a live version. Fans of '70 prog-rock will find this very much up their street - keyboard-led and with an emphasis that leans more on rock than it does on prog. Heavy Hammond, virtuoso guitars, and a propulsive rhythym section combine to take you on an almost six minute journey complete topped with an intriguing spoken words addressing destruction and creation.

'Finale' has more of a synthy space rock feel to it, somewhat more experimental with textures and sounds and showcases a different side to the band that will no doubt be further explored on next year's debut LP. Recorded sound - ever-expanding and endlessly evolving. Keep listening folks!

'Metamorphosis' is on sale from the Fruits de Mer website from November 9th.

Click here for Fruits de Mer Records.


Wednesday, 3 June 2020

Brian Bordello - Boris Johnson Massacre

Lockdowns are tough eh! Well maybe for you, but I've used the opportunity to visit Durham and Barnard Castle. Roads were quiet as fuck! Who woulda thought?!

Anyhow while there's no gigs to or record shops to go to, it's great to find that many of my favourite music makers are still being creative and kicking against the pricks. Brian Bordello (he's in a group called The Bordellos don't you know!) is one top fella – a maverick music maker of the highest order, independently-minded, speaker of truth, gently subversive, and quite often laugh-out-loud funny. He got in touch with me over the weekend to draw attention to a couple of new songs. Highly current and topical. Quickly recorded and with almost immediate release thanks to Australian label Metal Postcard Records. 'Boris Johnson Massacre' will resonate with anyone who's found our government's response to the Covid-1 crisis sadly lacking. Boot-lickers and flag-shaggers might disapprove but they can fuckin' do one!

Here are some words from Brian about the tracks...

“I only recorded it on Tuesday and Metal Postcard Records were kind enough to release it straight away so I had no time for the pre-release nonsense. It continues with my solo adventures in the art of no-fi with this gentle attack on the ineptitude of our current Prime Minister, recorded on one track of my old tape four-track and in such a way it will only come out of one speaker, to capture the magic of me listening to pop music in my youth on a tiny transistor radio, a song where Jake Thackray, Daniel Johnson and Ray Davies influence takes hold . I hope you enjoy it.”

The Rabies - 'Adderall Girl' b/w 'You're the Glue' (Ltd. 7")

I try not to focus on any particular musical genre on this blog, though regular readers, (if indeed there are any!), will know that pysch, garage, baroque-pop, acid-folk and soul are perennially pleasing for me. But Harmonic Distortion is really a place where anything goes. It's been a mindset that has broadened my horizons immensely. Be it Nordic jazz, Italian doom metal or experimental electronica, I try and cover it all. 

When I'm in need of an emotional lift there's one type of music that never fails to lift the spirits. It's a genre I've not written about much on here but then proportional representation is not really my thing. I'm talking about powerpop. Highly melodic songs, played in a forthright manner by a traditional four-piece band set up. Big on harmonies, guitar hooks, propulsive bass and drums. It's music that puts a smile on my face and a spring in my step. Recent powerpop artists whose work I've enjoyed include Nick Piunti and ANC.

The heyday for powerpop was in the late '70s into the early '80s, often blurring the boundaries with punk and new-wave. A time when short sharp songs, were back in fashion along with skinny ties. The economy of '60s Brit-invasion sounds had started to sound fresh and inspirational again after the bloated excess of mid-'70s rock. I don't claim to be an expert on first-wave powerpop, far from it, so it's always a pleasure to be pointed towards fine examples. I was recently contacted through my Twitter page by George Faulkner, owner of Bolt Records and member of a New York-based band called The Rabies, who were active in the early '80s. The four original members have recently reconvened to record a new single which I highly recommend. 'Adderall Girl' b/w 'You're The Glue' is available as a traditional 7” vinyl single or as a stream/download. It hits the spot. 'Adderall Girl' is a pure distillation of boy-meets-girl rock 'n' roll goodness. Its equally enjoyable B-side 'You're the Glue' clocks in at under two minutes but does what it has to do. A smash and grab lesson in melodic sensibility. Here's a little background on the band from George himself...

Not the Canadian pop Rabies, Czech hardcore Rabies, nor Chinese speed metal Rabies;  this is the Reagan-era New Yorkers, 38 years after their last single. They get called punk but were more new wave in '81 & '82. 

The Rabies released two 7” records in 1982 – (My Girl’s a) Hologram b/w Criminal, and a four-song EP called Labor Day – and between 1981 and 1983 they played anywhere they could in the Northeast from CBGBs to the college circuit (and everywhere in-between). It was a great run, but met a predictable demise. By '83 everything in music had changed and The Rabies followed a different path. But, in 2020 they decided to get back together and record a third single.

The four original Rabies - Torin, Kevin, George, and John - recorded this new single in Brooklyn with Producer Bryce Goggin (Pavement, Ramones, Lemonheads, Sebadoh). In talking about this new project, Rabies guitarist and songwriter Torin Alter said it best: “We made a left turn after Hologram and followed that wrong turn for 38 years. Until now.”

For more info: boltrecordsinfo at

The Rabies, 2020
The Rabies, 1982

Thursday, 9 April 2020

Stephen EvEns - Dustbin Man

Timely tribute to society's key workers. A taster from Stephen Evens' forthcoming full-length LP.

We're hearing a lot about key workers at the moment. That concept along with “fabric of society” and “all in it together” has come to define the age. Celebrating so-called ordinary workers will no doubt be claimed by the Tories as their idea. Anyone slightly attuned to the politics of the past decade will know how bogus and ridiculous that claim is. 'Dustbin Man' is a track by Stephen Evens, released today but recorded well before the coronavirus crisis. What remarkable empathy, sympathy and prescience it shows. Not only that but it damn well rocks too! A post-punk bovver-boy groove, heavy bass, and shrewdly astute lyrics. Stephen very kindly told us about how the song came to be -

"I’ve worked as a dustman, really. When I was a student. I lasted 2 days. I was rubbish.

When I wrote this song, quite while back, there’s no way in hell I could have predicted what was going to occur. But it looks like I have. I always knew I was special.

It’s a celebration of all those people who do the jobs you can’t and/or don’t want to do. They deserve you love and respect and a bloody great big pay rise."

The song is taken from Stephen EvEns' forthcoming album Employee Of The Month (to be released on Onomatopoeia Records on June 5th). More about that fine album to follow nearer the release date. 

Stephen also plays Online Balcony Festival this weekend, on Saturday April 11th, kick-off 1pm, to raise money for NHS Charities Together – he will be performing at 3:30pm on the GigSlutz stage for more info see here -

Play the track loud and raise a glass to your fellow workers. Underpaid maybe, but dignified and valued now as never before. Respect.

Click here for Stephen EvEns on Twitter.
Click here for Stephen EvEns on Facebook.
Click here for Onomatopoeia Records.

Wednesday, 8 April 2020

Various - A Band For All Seasons (4CD)

Hugely enojoyable 4CD set of psych covers.

The promo of this set landed through my letterbox a few weeks back in the era now described as “pre-lockdown”. Since then the world appears to have shifted on its axis and we have this new strange reality. Given the gravity of the situation, what seemed important before the coronavirus crisis hit can now seem trivial, and it's tempting to put music in that box, along with football, luxury food items, and whether or not ITV is able to film Coronation Street. But, there's a counter argument - culture helps us make sense of the world, it keeps us sane, occupied, and entertained. That vital role should not be underestimated. Before the lockdown, I enjoyed listening to this set very much on my daily commute. Since then it's become something of a talisman to help me get through each day. I think you would enjoy it too.

Anyway I'll shut up about the coronavirus now and tell you about this compilation. Fruits de Mer released an amazing triple vinyl compilation a couple of years back. The Three Seasons featured 27 tracks, all covers of songs from the years 1967, 1968 and 1969. It sold out almost instantly so if you want a copy, be prepared to pay an inflated price via Discogs. The good news is that FdM released an expanded 4CD edition at the end of March under the title A Band For All Seasons: Songs From the Four Seasons of Love 1966-1969. The collection features a mind-blowing 61 tracks, many from HD-approved acts such as Moon Goose, Crystal Jacqueline, Schizo Fun Addict, Fuschia,Jack Ellister, Anton Barbeau and Nathan Hall. But that's just the tip of this iceberg.

Expect to hear well known psych-pop tracks getting a modern makeover along with lesser known gems that will open up new avenues of discovery. If, like myself you missed out on the pychedelic era by being born too late, this compilation will take you down musical rabbit-holes you never even knew existed and be introduced to a globe-spanning array of current bands who are not only enthralled by music from the late-'60s but use it as a starting point to take their own music to new and exciting places. Also included is a 24 page booklet to aid your enlightenment. Joy doesn't even begin to describe. A quick look at the FdM website tells me it's now sold out via their mail-order, though you should hopefully be able to track down a copy via secondary sellers.

Click here for Fruits de Mer Records.

Click over the jump below to see the full tracklisting.

Saturday, 4 April 2020

Datura4 - West Coast Highway Cosmic

 Australian boogie rockers head for the open road on their fourth LP.

You don't miss the water till the well runs dry. So goes the old adage. As we're all currently under lockdown, the idea of travel, heading out on to the open road for adventure, purposeful travel and general fun suddenly seems like a privilege from a lost era. Fitting then that my listening album of choice this week has been the newie by Australian rockers Datura4. West Coast Highway Cosmic is a celebration of travel, rendered in old school boogie blues rock. The kind of album that sounds best when played loud. What better way to annoy your neighbours!

I greatly enjoyed last year's Blessed Is The Boogie. This latest release follows on almost a year to the day, and represents an extension and expansion of the band's trademark boogie rock sound, in no small part due to the input of new members Bob Patient (keys) and Howie Smallman (harmonica). For a little history of the band and to find out what sparked bandleader Dom Mariani's love of rock music you can look back to my review for Blessed Is The Boogie.

West Coast Highway Cosmic finds our heroes stretching out musically building on their firm solid rock foundations. The opening title track begins with scene-setting Hammond chords and swooping Moog notes before the guitars and drums kick in to hurtle you off at high speed down the cosmic highway. The track was written in honour of the studios the band have used over the course of their recording career, situated 124 miles apart along the south western Australian coast.

'Wolfman Woogie' is a no-nonsense brooding blues rock track, enhanced by Smallman's harmonica. The in-the-pocket groove dropping away to leave space for Mariani's riffs. Also worth checking for its heavy Hammond solo and wah-wah guitar workout. In fact the whole record has guitar heroics that will have bedroom players the world over wide-eyed in wonderment. The cleverly layered parts perfected by Mariani over a lifetime playing shows around his home turf since his youth.

The new textures brought by new keyboardist Bob Patient allow the band to build on the sound of their previous outings, but make no mistake this is a rock record with a capital R, one informed by the heavy rock gods of the 1970s – Sabbath, Zep, Lizzy, Purple, ZZ Top. 'You're The Only One' takes the pace down a little, a low-key swampy blues number redolent of the Mississipi Delta. There are those that say rock is long dead. On the evidence here don't believe it.

Click here for Datura4 on Twitter.
Click here for Datura4 on Facebook.
Click here for Alive Records.

Wednesday, 4 March 2020

Squire - Get Ready To Go!


First wave mod-punk rarities from the brothers Meynell.

There's a cliché within music biz circles that there's always a folk revival going on, whatever mainstream musical fashions may be. In these days of global, internet-connected scenes you could say the same applies for any musical genre. Especially Mod. That said, the first Mod revival at the tail-end of the 1970s stands out as something quite special. The Jam of course led the pack, and The Who's Quadrophenia movie helped attune youthful ears to the sounds of of the previous decade.

One band at the centre of all this was Squire, who released a couple of classic singles on Arista, and were one of the scene's must-see live acts. I have to admit to being unaware of the band before hearing Get Ready To Go!, a newly released album that rounds up their early demos. The bulk of the tracks on Get Ready To Go! Were recorded on a TEAC 4 track machine by brothers Anthony and Kevin Meynell to present to the other band members in order for them to learn the songs. What strikes most about the album, apart from the sharp 'n' savvy musical moves is how it captures the tail-end of the '70s. Youthful energy had been fired up by punk rock but now bristled against the realities of everyday life. Find work, find that love doesn't always work out, find that Radio One still playlists the blandest of the bland.

The demos on this collection address these concerns with wit, brio, and an infectious energy. It's modernist for sure but mixed with punk and pop. Catchy three minute songs laced with to-the-point lyrics. 'Lets Have Some Fun' mixes hope and cynicism at the promise of summer. 'Tesco Music' pokes fun at the corporate music business. There are songs about the lure of big cities, the pains of finding work and your place in the world. The cumulative effect is akin to a teenage diary in song form.

A good indicator of any band's worth is often their staying power, and I'm pleased to report that four decades on Squire remain active today. In addition to the demos are some 1978 mixes and a new song 'I'm 21', which casts an eye back over the ensuing decades.The band clocked up over 30 gigs in 2019. An impressive number whichever way you look at it. It's well worth connecting with their social media channels to find where and when you can see the band play live.

May 3rd – Round Chapel, London
May 22nd – Nochtwache,Hamburg, Germany
May 23rd – ZOSCH, Berlin, Germany

Click here for Squire's website.
Click here for Squire on Twitter.
Click here for Squire on Facebook.