Folksiness,
Farfisa and fuzz guitar on fifth LP from Kent's garage stalwarts!
The Higher State's
fifth long-player is on store shelves now (or more accurately
available to order online) and does not dissappoint. Ten years into
their tenure the band is now distilled to a three-piece; Marty
Ratcliffe on guitar/vocals/organ, Paul Messis on bass/guitar and
Scarlett Rickard on drums. With the writing split between Ratcliffe
and Messis.
The touchstones of The
Byrds, Love and The Electric Prunes are here to satisfy the faithful,
but despite their love of US garage the band have a distinctly
(English) personality of their own. To call Volume 27 a
protest album may be a step too far but there is a
state-of-the-nation thread that runs though the record.
Musically there's
folksiness, Farfisa and fuzz guitar, with production values geared
towards treble-friendly AM radio. The ear-splitting guitar solos and
frantic drumming are balanced by the gentler folk-rock type tracks
which helps hold it together as an album. (Unlike a lot of garage LPs
which all too often sound like a cobbled together collection of A and
B-sides)
For a musical form that
was supposedly crystalised and archived on Lenny Kaye's Nuggets
compilation it comes across here as in pretty good shape and the
perfect tool to kick against thepricks of today.
To paraphrase The Who -
“Garage rock is dead they say. Long live garage rock!”
Click here for The Higher State on Facebook.
Click here for 13 O'clock Records.
No comments:
Post a Comment