(This review first appeared in issue 60 of Shindig! magazine.)
Well
Suspect CD / LP
Aided by acid-jazz
supremo Andy Lewis (Pimlico, Paul Weller etc.) in the producer's
chair, Hallam's latest album holds on to her modernist Hammond-groove
roots but reaches new conceptual heights. Thirteen tracks, loosely
held together by themes of spirituality and an unspoken religiosity,
they sound like they belong to a early '70s counterculture inspired
musical. Hallam and her assembled band are on killer form with a
sound that's somewhere between Julie Driscoll's psych-infused R&B
and the big-hearted orchestral soul of Marta
Kubišová. The Medway modette still has it.
Further sonic
territory is explored via the spacey soul-searching of 'Fragment',
the Robert Kirby style strings on 'Heart Cries Out' and the lover's
lament of 'Colours'. Though for the most part finger-snapping soul
beats brush up against Latino-funk on an album that exudes both cool
sophistication and an exuberance that pushes you towards the nearest
dancefloor. All that and fuzz-guitar breaks! What more could you
want?!
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