(This feature first appeared in issue #64 of Shindig! magazine. I think the band have since changed drummers since this ran. I love this band and can't wait for the LP! To read the full interview click over the jump at the bottom.)
London's
latest baroque-beat band mix peppermint and incense on their first
recordings. Duncan Fletcher sees them take flight.
Taking
their name from a misheard lyric in The Stones' 'Paint It Black',
Green Seagull formed in early 2016 around the songwriting talents of
Paul Nelson and Paul Milne, formerly of New Electric Ride and The
Magnetic Mind respectively. The chemistry was completed with the
addition of keyboardist Sarah Gonputh and drummer Carlos Redondo.
“For
me, psychedelia is a very open-ended style that gives you a lot of
possibilities. You can take elements from virtually any genre -
garage punk, acid rock to flamenco and classical - and it wouldn't
necessarily jar if you did it right” says bassist/vocalist Milne.
Do it right they do, as heard on their rehearsal room recordings on
four-track cassette. Influenced by The Left Banke, The Association
and The Beach Boys, the two songs on their Soundcloud page feature
pop melodies spiked with sinister chords and arrangements,
successfully pairing light and shade.
“The
lyrics in 'Scarlet' are pretty much about infatuation and obsession
and hint at a possible illness of the mind for the protagonist”
says guitarist/vocalist Nelson. “'They Just Don’t Know' is based
on a nightmare I had where I was some kind of world leader in a Cuban
Missile Crisis-type scenario. I think I was watching too many cold
war documentaries at the time! Hope it wasn't a premonition of some
sort!” adds Milne.
The
band are currently re-recording the tracks along with a prospective
LP at London's Sausage Studio, making full use of its vintage gear.
“We're fortunate that Sausage Studio is run by my boyfriend, Seb
Kellig (My Drug Hell) with our friend Nick McCarthy (Franz
Ferdinand/FFS)”, says Sarah. “The place is an absolute dream and
I feel so lucky to be part of the Sausage Studio family. It's vintage
keys and analogue synthesiser heaven... for our forthcoming single
I've been playing the Philicorda organ and the Wurlitzer.”
'Scarlet'
b/w 'They Just Don't Know' was released in May 2017 on Mega Dodo Records.
(Click over the jump for the full interview.)
Green
Seagull are:
Paul
Nelson - from Liverpool - guitar and vocals
Paul
Milne - from Aberdeen - bass and vocals
Sarah
Gonputh - from London - keys and vocals
Carlos
Redondo - from Palencia, Spain - drums
You've
all played previously in other bands on the psych scene. How did you
all meet and what spurred you to start Green Seagull?
Paul
Nelson: I initially met Paul Milne at a gig my old band (New
Electric Ride) was playing that he was promoting, I also knew about
Magnetic Mind and thought they were excellent. I approached him for
what we thought would be a side project of some sort, but we realised
that it could be potentially a lot more and took it from there.
Sarah
Gonputh: I played keyboards and sang backing vocals with Paul
Milne and Carlos in our former band, The Magnetic Mind. They asked me
to play keyboards for some gigs in Spain and at the time my main band
was the Lysergics, so I was in both bands for a time. We connected
very well both musically and as friends who are into obscure 60’s
psychedelic music. When Paul Milne and Carlos started jamming with
Paul Nelson, I soon joined them too. Part of the great thing about
living in London is that there are so many cool musicians and you
just want to work with everyone. But you have to make the decision at
some point on who you most want to work with and I chose Green
Seagull because of the way we all worked so well together.
How
did you come up with the band name?
Paul
Nelson: It was a misheard lyric from "Paint it black" -
I used to think Jagger sang: "No more will my green seagull turn
a deeper blue". Pretty silly, but you should have heard some of
our other suggestions!
Sarah
Gonputh: I’ve enjoyed buying more green clothes because of this
band name!
I'm
very much enjoying the two tracks on your Soundcloud page, they were
recorded at Sausage Studios I believe. What's that place like?
Paul
Nelson: Funnily enough those tracks were recorded in our
rehearsal room on a cassette 4-track. We are currently re-recording
them in Sausage Studios however. It is an excellent studio with some
mind-blowing equipment - including ace engineer Seb!
Sarah
Gonputh: We’re fortunate that Sausage Studio is run by my
boyfriend, Seb Kellig (My Drug Hell) with our friend Nick McCarthy
(Franz Ferdinand/ FFS). We are currently recording our single and
forthcoming album at Sausage Studio. The place is an absolute dream
and I feel so lucky to be a part of the Sausage Studio family. Its
vintage keys and analogue synthesizer heaven, plus Seb and Nick gave
a home to my piano when there was no space for it in our flat. For
our forthcoming single, I have been playing the Philicorda organ and
the Wurlitzer.
There's
a real Left Banke meets Arthur Lee vibe to 'Scarlet', what to you is
the attraction of baroque pop and psychedelia? How did you first get
into this music?
Paul
Nelson: I've been listening to this sort of music all of my life,
so whenever I write anything this style always comes out. I love
anything with harpsichord sounds and nice vocal harmonies.
Paul
Milne: For me, psychedelia is a very open-ended style that gives
you a lot of possibilities. You can take elements from virtually any
genre - from garage punk and acid rock to flamenco and classical
music - and it wouldn’t necessarily jar if you did it right.
I love the way you have pop lightness in the melody, spiked with slightly more sinister chords and arrangements. A great mix of light and shade on both 'Scarlet' and 'They Just Don't Know'. What's the story behind the lyrics in those songs?
Paul
Nelson: The lyrics in Scarlet are pretty much about infatuation
and obsession and hint at a possible illness of the mind for the
protagonist...
Paul
Milne: ‘They Just Don’t Know’ is based on a nightmare I had
where I was some kind of world leader in a Cuban Missile Crisis-type
scenario. I think I was watching too many cold war documentaries at
the time! Hope it wasn’t a premonition of some sort...
Aside
from Love and The Left Banke who else would you say is a big
influence on your music?
Paul
Nelson: I'm into anything from the mid to late 60s and some early
70s really. I also enjoy film soundtracks. I get ideas for melodies
from anywhere, TV adverts and things can trigger off an idea, or just
random stuff happening to me as I walk the streets. My favourite
bands are probably the Byrds, The Kinks and The Beatles, but there
are too many others to mention here!
Paul
Milne: The Association and The Beach Boys are big influences on
me, mainly for the harmonies, but I’m also a fan of bands like Iron
Butterfly, Spirit, and Bubble Puppy that combine the intricate stuff
with a more raucous edge.
I
notice more craftsmanship in your music than a lot of new bands seem
to manage, especially in the arrangements and harmonies. Is that
something that comes naturally to you or is it something you've had
to work hard at?
Paul
Nelson: We do put work into song craft and harmonies, but for us
that's a lot of fun as we like music with these qualities. We aspire
to be as good as the bands we listen to.
Sarah
Gonputh: We do spend a lot of time crafting the songs and
arranging the harmonies and it always pays off. It’s one of the
main reasons why I enjoy working in this band so much- we strive for
perfection!
Any
physical releases on the way? An album perhaps?
Paul
Nelson: We are currently recording tracks for an LP and a 45
single on Megadodo records. The 45 will be 'Scarlet/They just don't
know' and should be released in May 2017.
Who
does the writing? Is it a team effort or do you write separately?
Sarah
Gonputh: Paul Milne and Paul Nelson are the main songwriters but
Carlos and I will add our ideas during our rehearsals. For example, I
was glad to be able to add a Bach inspired instrumental to one of
Paul Milne’s songs.
There
are passages within the two songs on Soundcloud that sound ripe for
improvisation. Do your live renditions of these tracks differ from
the studio versions?
Paul
Nelson: Not really, but I wouldn't rule it out entirely. I tend
to avoid writing lengthy songs as I would consider it a potential
challenge to the listeners’ attention span. I wouldn't want to bore
folk with endless noodling. I like concise, catchy songs.
Any
gigs/tours coming up?
Paul
Nelson: We are playing in February with US band Promised Land
Sound and fellow London-dwellers The Hanging Stars, but we will be
booking lots more shows in the new year so keep an eye out for us.
No comments:
Post a Comment