From the margins of south-east of England. The first great album of 2018.
It's rare these days to
discover an album that when listened to, doesn't divulge who the band
have been listening to. And that dear readers is often the sign that
you're onto something good. The Cold Spells' eponymous debut is not
without predessessors – there are similarities with both Robert
Wyatt and Shirley Collins both in the simple song structures and the
unadorned straightly delivered vocals. But importantly The Cold
Spells are not aping or mimicing. And here lies just one of the
album's strengths.
So what does it sound
like? Well there's the afore-mentioned simple folk-song tunes, gentle
electronic backing with snatches of static, white noise, occasional
backwards vocals drifting in and out. The organic meeting the
technological. An intoxicating sound alone but strong poetical lyrics
and stories will pull you in further.
It's an album that
speaks of and to the lost, lonely and marginalised. To people on the
forgotten edges of society, the dispossed, those away from
metropolitan glamour. Empathatic stories that touch on delusional
paranoia, quiet haunted lives and familial traits that echo through
the ages. Mixed in with eulogies, a little folklore, and even a song
about drowning. Modern, yet mysterious. The aural equivalent of a
hillside containing a chalked white horse and a mulititude of mobile
phone masts.
There are plenty of
arch, all-too-knowing bands (and labels) that release referential,
hauntological music that's often little more than a stylistic
pastiche. The Cold Spells has lyrical depth however, and has a
timeless quality in it's melodies. Sure you could place it under
banner of folktronica given the gentle ambient instrumentation but
it's an album that won't date. It's not trying desperately to sound
like it's 2018, 1972, or even 1872. It sounds both modern and
peculiarly ancient. I guarantee it will sound similarly undated and
timeless in years to come.
Apparently it took 4
years to make the album so they may not be bringing out another
anytime soon or maybe even ever, which would be a shame. Hopefully
The Cold Spells' LP will get the recognition it deserves in the here
and now rather than drift off into obscurity. If it doesn't then I'm
in no doubt that in 20 years time it will be hailed as something of a
lost classic.
The Cold Spells are -
Tim Ward
(songs/guitar/vocals)
Michael Farmer
(keyboards/vocals)
Catherine Plewa (bass
guitar)
Click here for more on
The Cold Spells.
Click here for The Cold
Spells on Twitter.
Click here for Gare du
Nord Records.
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