HD's favourite
folkie returns with more wry, satirical, protest, commentary and
observation.
It's a standing joke
among music journalists that there's always a folk revival going on.
It's kind of a truth but looked at from another angle it means that
folk music never actually goes away, an eternal touchstone and deep
well of inspiration for each new generation of musicians. As a genre
it occasionally provides the mainstream with crossover stars but for
each of those there are countless other artists, often more unique
and talented, mining away at the coalface of folk music and adhering
to its core principles; giving voice to the marginalised,
highlighting injustice, celebrating cooperation and community while
also entertaining and actually having fun.
Which bring me to Beau,
who is back with a brand new set of songs that does all those things
and more. For those unfamiliar with Beau here's a little back story –
Beau (AKA Trevor Midgley) was the first artist to record for John
Peel's Dandelion label back in the late '60s. He's continued to
write, record and play live ever since, amassing an impressive back
catalogue of material. His is a stripped down sound, one voice, one
Harmony 12-string acoustic guitar, which lets the lyrics take centre
stage.
On his new album Rattle
The Asylum Bars, Beau shows he's as astute with those lyrics now
as he was back on his 1969 debut. The subject matter ranges from
historical lessons society has yet to learn, observations on modern
foibles, calls for increased compassion and as you'd expect in these
strange times, a little political commentary. As ever with Beau's
work you come away feeling informed, entertained and aware that the
world is more nuanced than “moral absolutists and polemicists”
would have us believe.
Click here for more on Beau.
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