Showing posts with label Buffalo Killers. Show all posts
Showing posts with label Buffalo Killers. Show all posts

Saturday, 4 August 2018

Buffalo Killers - Alive And Well In Ohio

(This review first appeared in issue #73 of Shindig! magazine.)

Alive CD / LP

Always one of the more astute bands on the Alive roster. Buffalo Killers may be long of hair, full of beard, and stacked of amps, but they're not afraid to get in touch with their soulful, nuanced side. Beefed-up country rock with a chunk of funk thrown in, brotherly harmonies and a musicality not often found in a rock outfit makes this album a delight. Think Crazy Horse armed with diminished and augmented chords.

Incredibly this is the band's eighth LP and they show no sign of letting up with ideas and inspired moments. Take for example the leftfield guitar solo and Curtis Mayfield-esque falsetto on 'Parachute', the high-to-low vocal descent on the last line of the chorus in 'Death Magic Cookie', and the pedal-steel embellishments by (new-ish) member Sven Kahns. There's also enough riffage and grunge to keep the rockers happy. Not only alive and well, they're positively thriving.


Wednesday, 19 November 2014

Buffalo Killers - Fireball Of Sulk


It's the 7th studio album from Ohio's band of brothers. Still gloriously ragged but with added flavours.


It's good to know that in this era of one-album-wonders some bands are in it for the long haul. Hat's off then to Buffalo Killers, a bunch of long haired rootsy rockers from Ohio who are on the cusp of releasing their 7th studio album.

The band's previous albums have favoured a one ear to the past, denim-clad brand of southern rock that's big on vocal harmony and ragged guitar chime. While this latest album will undoubtedly please fans of their earlier records they seem to have found a renewed sense of purpose and are more confident in branching out stylistically.

While not quite outré enough to be the band's White Album, there's a remarkable breadth of styles here, from the grunge-informed Blankets On The Sun, through to the Beatle-esque Don't Cry To Me and the stoner rock styling of Marshmallow Mouth. Then there's the power pop meets country rock of Weird One and Something Else. A pairing that doesn't work on paper but hearing it is a delight.

Despite the diversity it's all pulled together by strong melodies and those trademark vocal harmonies that have characterised their output thus far. The CSN&Y influences are still intact, most notable on In A Number, but there are echoes of other acts, especially early '90s guitar bands such as Nirvana, The Posies, and Teenage Fanclub.

Fans of the band include The Black Keys and The Black Crowes, both bands to have invited Buffalo Killers to open for them on tour. On the evidence of this record the time could be right for them to step out from their shadows.

Click here to pre-order Fireball Of Sulk

Click here for Buffalo Killers' website.
Click here for Sun Pedal Recordings.

Sunday, 12 October 2014

Handsome Jack - Do What Comes Naturally


The latest torch carriers for gritty, soulful blues release their debut LP.


The Blues is a wheel that keeps on turning, a gift that keeps on giving. The recent popularity of The White Stripes, The Black Keys, Seasick Steve et al, have made the blues newly accessible to mainstream ears. Unlike jazz it seems to have avoided becoming a dead form, ironically by not changing that much. The same three chords, same subject matter and same delivery have served it pretty well.

The latest band to breathe new life into this old form is Handsome Jack, a quartet from Buffalo, NY. Their debut album Do What Comes Naturally doesn't serve up anything particularly revolutionary but as the title suggests they make music that feels right, and feels good, from the blue-eyed soul burr of the vocals to the in-the-pocket funky rhythm section.

Unlike the White Stripes' punked-up take on the blues, or the Black Keys indie-funk makeover, Handsome Jack have opted for a more organic blues/soul reunification, one with it's roots in the deep southern states of Mississippi and Tennessee as opposed to the NY zip-code that Handsome Jack call home.

Much like the LPs Albert King made for Stax Records, the music here is laid-back, groove-laden and soulful. The band's roots in garage rock are betrayed by the record's bourbon-soaked rawness, but it's a blues record at heart, albeit one that owes as much to '70s funk and late '60s blues rockers Canned Heat as it does to the electrified Chicago blues of John Lee, Muddy and Wolf.

Produced by Zachary Gabbard of label-mates The Buffalo Killers, the record essentially captures the band's live sound with some subtle additions - sumptuous Hammond organ (courtesy of The Lemon Pipers' Bob Nave), the occasional harmonica solo, and some Sweet Inspirations-esque backing vocals. Do What Comes Naturally is a fine addition to the contemporary blues cannon and a disc that'll nicely soundtrack any blues house party.


Click here for more on Handsome Jack.

Friday, 26 October 2012

Buffalo Killers - Dig. Sow. Love. Grow.


It's less than a year ago since I reviewed Buffalo Killers' previous album 3 for Subba Cultcha, (I'll put a link here soon when the relaunched site is back up and running), it's great to see that the band's creativity shows no signs of letting up. Their recently released fourth album Dig. Sow. Love. Grow. is an extension of where the band were at on their last album – earthy country rock, dripping with Zachary and Andrew Gabbard's vocal harmonies. This time round there are some heavier moments creeping in, as on album opener Get It with its 70s guitar riffage and one-note Stooges style piano. While not quite into metallic zones it does represent the heavier end of the blues rock spectrum.

For the most part though the clue is in the album's title – earthy, organic, hippy love vibes are in the area. The album sounds like Harvest would have had Neil Young decided to record said record with an electric band. It's electric, and rock 'n' roll, but shot through with some down home warmth. While it lacks a killer track on a par with 3's Huma Bird, there's still rich pickings here. Their take on southern rock ticks all the right boxes – grooves, songs and great harmony singing all present and correct. And man, as for those guitar tones and solos! Dig it indeed!

 Click over the jump for a video for Buffalo Killers' track Get It.