Showing posts with label Garth Hudson. Show all posts
Showing posts with label Garth Hudson. Show all posts
Tuesday, 1 October 2019
The Story of The Band - Harvey Kubernik & Kenneth Kubernik
(This review first appeared in issue #87 of Shindig! magazine.)
STERLING BOOKS
This coffee table book doesn't claim to be the definitive telling of The Band's story but it does cover their active years in a winningly enthusiastic way. Aside from it's scrapbook style layout equally balanced between words and pictures, its USP is its drawing from various interviews dating back over several decades, most conducted by the Kubernik brothers themselves. As respected LA-based music writers the pair have encountered and interviewed members of the Band several times over the years, along with producers, engineers, peer musicians and members of The Band's road crew. In addition the book contains eye-witness fan accounts, contemporary record and concert reviews, and reminisces from key journalists, DJs, promoters and other industry shakers and movers. All key moments in the Band's career are brought into sharp focus by this multiple voice and viewpoint approach.
The book's subtitle (From Big Pink To The Last Waltz) is somewhat misleading as the pre-Band era is also covered including their time as the Hawks backing Ronnie Hawkins in the clubs of Toronto. The history-making days as Bob Dylan's electric backing band on his 1966 battle-fray tour also get good coverage.
Don't expect any startling revelations, dirt-dishing or gossip but do expect a celebration and exploration of just what it was that made The Band and their music so special. As one of the era's most photogenic acts the photographs are a treat too, several of which are previously unpublished. They're accompanied by illustrations of ticket stubs, posters, handbills, set-lists and hand-written studio and stage notes.
Thursday, 28 December 2017
The Band FAQ - Peter Aaron
Backbeat Books
Though they had a hand in destroying “all that psychedelic bullshit” and giving rise to The Eagles (er thanks guys!), there's no denying the influence The Band had on many leading musicians of the late '60s. Urbanist futurism was out, heritage and rural-living was in. Even The Beatles took notice ditching the satin Sgt. Pepper suits and Eggman garb in favour of more natural fibres.
It's a story that's been told in print before - Barney Hoskyns' Across The Great Divide, and the I-was-there memoirs of both Levon Helm and Robbie Robertson, so you wonder what there is to add. To his credit Aaron doesn't dig dirt or focus on the fissures that ultimately split The Band apart, nor does he take sides. He opts instead for a fact-heavy celebration of the music, and is particularly insightful when analysing what made the quintet so special as musicians. Key concerts, their gestation periods backing Ronnnie Hawkins and Bob Dylan, and a guide to their most essential bootlegs are also well covered, as is their reformation in the 1990s and the often overlooked solo releases.
Not quite so necessary is the chapter focused on the genres that fed into The Band's work as most readers will already have a good grasp on blues, jazz, soul etc. A minor quibble, and while this is not a book to devour, its concise chapters are great for dipping into. It'll certainly have you digging out The Band's albums and hearing them with a fresh appreciation.
Wednesday, 25 September 2013
The Band – Live At The Academy Of Music 1971
Stunning
5 disc edition of the Rock Of Ages /New Years Eve concerts.
Remastered set captures The Band at their best and contains many
unreleased tracks!
Levon Helm, Richard
Manuel, Rick Danko, Garth Hudson and Robbie Robertson, collectively
known as The Band, were the musician's musicians. With big name fans
that included Bob Dylan, The Beatles, Elton John, Eric Clapton and
countless others, The Band's reputation as the musicians was largely
built on their first two albums, Music From Big Pink and the
self-titled follow up. The Band played and pretty much defined
Americana before the genre even existed, with the five man group
being the epitome of musical brotherhood with their ego-less playing.
They managed to mix country, blues, funk, folk and rock into music
which sounded comforting and somehow old, (much welcomed in the USA,
a country whose young men were away fighting in Vietnam), yet still
managed to forge dynamic new ground.
(Click over the jump for more on The Band's Live At The Academy Of Music 1971)
(Click over the jump for more on The Band's Live At The Academy Of Music 1971)
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