Showing posts with label GospelbeacH. Show all posts
Showing posts with label GospelbeacH. Show all posts

Saturday, 14 September 2019

GospelbeacH - Let It Burn


Elegiac American beauty.


Oh man. Where do I start with this with this one? Just a few short days after the review copy of this album had dropped through the letterbox came the news that guitarist Neal Casal had passed away. The guy was 50 years old. I never knew him of course but as is the way with musicians they have a mysterious effect on your inner life. It's subtle, mysterious, hard to pin down, but at the same time very real and valuable. I first heard his work on the records he made with Ryan Adams and the Cardinals and it was clear from those classic albums that he was a man of taste. Always serving the song, enhancing its message and bringing out each track's emotional heart. It's a style of playing that he brought to each project he worked on, whether with the Chris Robinson Brotherhood or GospelbeacH on their latest album Let It Burn, which turned out to be Casal's last recorded work. Listening with that knowledge gives the album an unintentional elegiac quality, but such is the strength of the songs, its emotional resonance would still be present had the circumstances been different.

It's the third album from the band . Their previous record, Another Summer Of Love, which came out in 2017, had a slight Anglophilic bent, even borrowing lyrics from The Jam. Aside from a reference to Winston Churchill on 'I'm So High' and the early '70s Bowie vibe on 'Unswung', Let It Burn is firmly rooted in Americana. Its mood is a winning blend of downbeat and defiant, in a way a reflection or snapshot of modern America itself. All the songs were written by vocalist/guitarist Brent Rademaker with drummer/vocalist Trevor Beld Jiminez. They deal with personal darkness but not in a forced or laboured way. There's a freshness and spontaneity to them. Ditto the arrangements - plenty of vocal harmonies and tight playing but with enough space for the songs to breath. A cliché perhaps to say it but to my ears it's the band's best album thus far, and one with a touch of Zen about it. High and low emotions are felt, then let go in order for the next ones to come. Not a bad way to live let alone make records. Apologies to anyone who's read this expecting a standard review format. No scrub that, no apologies, this one is for Neal. Thanks for the music and rest easy.


Click here for GospelbeacH on Facebook.
Click here for GospelbeacH on Twitter.
Click here for Alive Records.


Friday, 3 August 2018

Angelica Rockne - Queen Of San Antonio


(This review first appeared in issue #72 of Shindig! magazine.)

Self Release LP

Gram Parson's vision of Comic American Music has seemingly come to full fruition in 2017. Not only has the year brought us stellar LPs by GospelbeacH and The Parson Red Heads, but now we have this late contender from Cali-Cowgirl Angelica Rockne that may well be the cream of the crop. It's a debut that's cosmic but real, emotional and honest, full of heart and soul and features a killer backing band. 'Smoking When It's Raining', 'Married By Elvis' and 'Glitter Rags' all help evoke an America of small towns, big but burnt dreams and open hearts.

Comparisons to Mazzy Star, Emmylou Harris, Stevie Nicks, Patti Smith, Grace Slick and Ryan Adams all carry weight stylistically, but the girl from Nevada City proves herself to be her own person and by the end of the album's eight tracks the only option is to play again. Bears repeating and then some.

Thursday, 28 December 2017

GospelbeacH - Another Summer Of Love


(This review first appeared in issue #68 of Shindig! magazine.)

Alive CD/LP

Whether 2017 yields a season of goodwill remains to be seen. This follow up to GospelbeacH's 2015's debut Pacific Surf Line can only help it happen. Its ten tracks of lush, cosmic Americana could only have been made on America's west coast, so the opening lyric cheekily borrowed from The Jam (“In the desert there's a thousand things I want to say to you”) is a neat attention grabber. You know you're listening to a band with serious pop-nous.

GospelBeacH's sound recalls Tom Petty's mix of roots rock and new-wave, along with the grown-up country rock of Chuck Prophet. Though recognising they may be peddling an idealised version of the Golden Sate their take on Cali-rock is seductive – catchy tunes, tasteful song-serving guitar solos and accomplished musicianship that doesn't stray into session-player blandness. Not one for neophiles, but those of us who value quality can bask in its revitalising sun-drenched goodness.