Showing posts with label Miranda Lee Richards. Show all posts
Showing posts with label Miranda Lee Richards. Show all posts

Saturday, 14 September 2019

GospelbeacH - Let It Burn


Elegiac American beauty.


Oh man. Where do I start with this with this one? Just a few short days after the review copy of this album had dropped through the letterbox came the news that guitarist Neal Casal had passed away. The guy was 50 years old. I never knew him of course but as is the way with musicians they have a mysterious effect on your inner life. It's subtle, mysterious, hard to pin down, but at the same time very real and valuable. I first heard his work on the records he made with Ryan Adams and the Cardinals and it was clear from those classic albums that he was a man of taste. Always serving the song, enhancing its message and bringing out each track's emotional heart. It's a style of playing that he brought to each project he worked on, whether with the Chris Robinson Brotherhood or GospelbeacH on their latest album Let It Burn, which turned out to be Casal's last recorded work. Listening with that knowledge gives the album an unintentional elegiac quality, but such is the strength of the songs, its emotional resonance would still be present had the circumstances been different.

It's the third album from the band . Their previous record, Another Summer Of Love, which came out in 2017, had a slight Anglophilic bent, even borrowing lyrics from The Jam. Aside from a reference to Winston Churchill on 'I'm So High' and the early '70s Bowie vibe on 'Unswung', Let It Burn is firmly rooted in Americana. Its mood is a winning blend of downbeat and defiant, in a way a reflection or snapshot of modern America itself. All the songs were written by vocalist/guitarist Brent Rademaker with drummer/vocalist Trevor Beld Jiminez. They deal with personal darkness but not in a forced or laboured way. There's a freshness and spontaneity to them. Ditto the arrangements - plenty of vocal harmonies and tight playing but with enough space for the songs to breath. A cliché perhaps to say it but to my ears it's the band's best album thus far, and one with a touch of Zen about it. High and low emotions are felt, then let go in order for the next ones to come. Not a bad way to live let alone make records. Apologies to anyone who's read this expecting a standard review format. No scrub that, no apologies, this one is for Neal. Thanks for the music and rest easy.


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Thursday, 28 December 2017

Miranda Lee Richards - Existential Beast

 

(This review first appeared in issue #68 of Shindig! magazine.)

Invisible Hands CD/LP

There's been a steady stream of records concerned with ecology, corruption and the state of the planet over the last 40 years. What makes this offering from LA-based Miranda Lee Richards so special is its articulate power. Without naming names political leaders are evoked and rebuffed by intelligent poetical argument.

Musically the album draws from several 1970s sources – Laurel Canyon country rock royalty ('Ashes And Seeds'), Joe Boyd's Witchseason productions for Island Records ('Autumn Sun' and 'Oh Raven'), through to the spoken word sections of David Axelrod's Earth Rot (the end section of 'Lucid I Dream'). Subtle use of echo throughout the album adds to the continuity of sound and aids its woozy intoxicating power.

The album's tour de force is saved till the end. Clocking in at 12 minutes, 'Another World' is the most overtly political song, calling out those in power and offering a vision of how things could be. Clever stuff.